Clive Bell is perhaps more well-known today for being a Bloomsbury socialite and the husband of Vanessa Bell, sister to Virginia Woolf, than anything else. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who championed young artists, he defended daring new forms of expression at a time when Britain was closed off to all things foreign. For decades Bell has been a shadowy figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings Bell to the forefront through reference to personal letters, archives, and Bell’s own extensive writing.